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Of Love and Immensity

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Description

Etching and Aquatint

This spectacular aquatint was gifted to Alicia by the noted Maine artist, Jim Egleon in 1974. Aquatint became the most popular method of producing toned prints in the late 18th century; its most notable practitioner was Francisco Goya. In the 19th century Edgar Degas and Camille Pissarro experimented with it, and in the 20th century the sugar aquatint was employed by Pablo Picasso, Georges Rouault, and André Masson.

About Our Prints

The giclée prints are produced on high quality archival materials: Breathing Color Elegance Velvet Platinum Fine Art Paper - A 310gsm, bright white, fine art paper with a lightly textured vellum surface; a 100% cotton fiber paper offering a better color gamut and D-Max than any other velvet surface paper on the market.

Stretched Canvas Prints

We offer 3/4" solid hardwood stretcher bars with back staple. Prints are on Breathing Color Chromata white , acid free, cotton-poly blend matte artist stretch canvas. All stretched prints are protected with a matte finish archival UV varnish. If you prefer semi gloss or gloss please let us know.

Matting and Framing

If you prefer to have your giclée print framed and matted by our Gallery please let us know. We will provide you with a fair price and adjust the shipping charges to reflect the mat, frame, and glass. We would be pleased to perform this work for you.


The original painting is in a private collection

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